snurri: (Default)
snurri ([personal profile] snurri) wrote2008-03-20 02:39 pm
Entry tags:

Bark, (Em)Bark, (Disem)Bark

Lots of writers talk about how difficult it can be just to get a character across a room.

Nobody talks about how hard it is to get one on a fucking boat.

[identity profile] mrissa.livejournal.com 2008-03-20 07:54 pm (UTC)(link)
Do they get confused about whether they've frequently not been on boats or whether what they've frequently been is not-on-boats?

[identity profile] sarah-prineas.livejournal.com 2008-03-20 08:23 pm (UTC)(link)
"And then, she got on the boat."

Come on, puppetmaster! Make those critters dance!!

[identity profile] rnb.livejournal.com 2008-03-20 08:25 pm (UTC)(link)
This is why I write screenplays. ez $$

[identity profile] barthanderson.livejournal.com 2008-03-20 09:30 pm (UTC)(link)
Shang hai? I vote for a speedy shang hai.

[identity profile] jonhansen.livejournal.com 2008-03-20 09:32 pm (UTC)(link)
I prefer the "pass out in a bar, wake up somewhere in the Atlantic on a ship of the line" approach.

[identity profile] gregvaneekhout.livejournal.com 2008-03-20 09:46 pm (UTC)(link)
My characters did a lot of leaping, climbing, crawling, scrambling, and shambling over gunwales.

I'm telling ya

[identity profile] barthanderson.livejournal.com 2008-03-21 01:51 am (UTC)(link)
She wants on, she doesn't want on. Works either way. Pillow case over the head, toss her in a wheel barrow, baddabing, no more dialog!

*dusts hands*

[identity profile] ninja-pencil.livejournal.com 2008-03-22 09:30 pm (UTC)(link)
You just did it, with no less than poetic simplicity!

"He gets on the fucking boat."