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2009 Reading #105: The Magic Toyshop
Books 1-10.
Books 11-20.
Books 21-30.
Books 31-40.
Books 41-50.
Books 51-60.
Books 61-70.
Books 71-80.
Books 81-90.
Books 91-100.
101. The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures by Anne Fadiman.
102. Brown Harvest by Jay Russell.
103. Dab Neeg Hmoob: Myths, Legends and Folk Tales from the Hmong of Laos, Charles Johnson, editor and Se Yang, associate editor.
104. Summer of '49 by David Halberstam.
105. The Magic Toyshop by Angela Carter. I have come somewhat late to Carter; up to this point I have only read a bit of her short fiction. Her writing scares me in a way similar to the way Samuel R. Delany's does--her control of her imagery and the precision of her language speak of a frightening intelligence behind it all. Somewhere along the way someone told me that Carter's novels were not as good as her short stories, but they were wrong. This is a deliriously good book, gorgeous and horrifying and mythic and firmly grounded in the real, a coming of age story with a fairy tale wound uncomfortably tight around it. If anything outside of Latin America deserves to be called Magical Realism, this would be it. Highest recommendation; those last five pages will stay with for a long time.
Books 11-20.
Books 21-30.
Books 31-40.
Books 41-50.
Books 51-60.
Books 61-70.
Books 71-80.
Books 81-90.
Books 91-100.
101. The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures by Anne Fadiman.
102. Brown Harvest by Jay Russell.
103. Dab Neeg Hmoob: Myths, Legends and Folk Tales from the Hmong of Laos, Charles Johnson, editor and Se Yang, associate editor.
104. Summer of '49 by David Halberstam.
105. The Magic Toyshop by Angela Carter. I have come somewhat late to Carter; up to this point I have only read a bit of her short fiction. Her writing scares me in a way similar to the way Samuel R. Delany's does--her control of her imagery and the precision of her language speak of a frightening intelligence behind it all. Somewhere along the way someone told me that Carter's novels were not as good as her short stories, but they were wrong. This is a deliriously good book, gorgeous and horrifying and mythic and firmly grounded in the real, a coming of age story with a fairy tale wound uncomfortably tight around it. If anything outside of Latin America deserves to be called Magical Realism, this would be it. Highest recommendation; those last five pages will stay with for a long time.
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