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Some coolness: Senses Five Press, the cool folks behind the zine Sybil's Garage, will be publishing Kathy Sedia's anthology of urban fantasy, Paper Cities (formerly Moonlit Domes). That includes original fiction from Forrest Aguirre, Barth Anderson, Steve Berman, Darin Bradley, Stephanie Campisi, Hal Duncan, Mike Jasper, Vylar Kaftan, Jay Lake, Paul Meloy, Richard Parks, Ben Peek, Cat Rambo, Jenn Reese, Cat Sparks, Anna Tambour, Mark Teppo, Catherynne M. Valente, Greg van Eekhout, and Kaaren Warren. My story "The Somnambulist," one of the weirder things I've written, will be appearing in this august company. This one will be coming out around the time of WFC, so save your bucks.

Not much to report, otherwise. Gearing up for the move, which I expect to be as painful as such things always are. Such is life. My bro is coming down to help out, but he can't get here until Sunday night, and I need to have a lot done before then. Books. Always with the books, and the boxes, and the loading. Someday I will move into a library, and never leave.
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It is finally beautiful here, and I am SICK. Spring colds are the worst. I can barely keep my eyes open and am having some trouble distinguishing between reality and dream. Glorious.

It is International Pixel-Stained Technopeasant Day, and in addition to the various stories of mine already available at online venues (see my profile for links), Deborah Layne has kindly put up my story Manifest Destiny from Polyphony 6. (Link goes to a .PDF file.) It's about dead ends and dead presidents. If you like it, you ought to buy a copy of P6 or any of Wheatland's other fine titles.

Something you may have missed: a new Secret City installment, concerning ice and other things.

I have news, too, but that deserves its own post.
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The Riches is my new favorite show; I really liked the pilot, and after the subsequent three episodes I'm sure of it. Just, wow. Great, great characters, thanks to genius acting by Eddie Izzard, Minnie Driver, et. al. Karen M. made the observation while we were in the desert (we had both only seen the pilot at that point) that it feels sort of like a modern-day fantasy epic, only without any magic at all. It's just a hidden world, one which may or may not really exist, but which feels rich (sorry) and weird and has the modern-day analogues of royalty and treasure and you really need to watch the show.

The Spring issue of Farrago's Wainscot is live, and while I hesitate to support any endeavor undertaken by that bastard Farrago, he has stories by Hannah Wolf Bowen, Sandra McDonald, Paul Jessup and Jason Erik Lundberg, not to mention poems by Ryan Cornelius and Bryan D. Dietrich, nonfiction, and more stuff. Also, check out the serial novel by Mark Teppo!

Happy Hang Onto Your Spot At the Mall Day!

Today(?)'s writing strategy (not recommended); stay up all night (literally) watching "Ugly Betty" episodes, then walk to the cafe to eat breakfast and write the chapter I didn't write yesterday. On the way home, figure out the chapters I need to write tomorrow to catch up. Be exhausted. Fall into bed for a very long nap.

Finally, a little Knut.
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According to yesterday's poll happiness is "Something to do with food," with "A warm puppy" and "A chemical imbalance in the brain" rounding out the top three. Please adjust your expectations accordingly.

On the way to work I saw a woman doing perhaps the weirdest walk I've ever seen in a non-physically challenged person. She would walk normally for a quarter-block or so, then hunker down and sort of lope forward (in the lupine sense, not the equine), taking really long strides and staying low to the ground like she was stalking prey. It was like running, only really slow so I can't figure out any benefit as far as speeding up her commute. I was fascinated and also freaked out. Keep on keepin' on, weird lady! Rock on with your weird self!

Today I am very excited about my book, specifically the new one I am still writing. This doesn't happen every day, so I thought I'd mention it.

Speaking of rocking on with your weird self, as we were before the commercial break, HOLY SHIT DUDE I KNOW EVERYONE ALREADY LINKED THIS BUT IT'S LIKE THAT "ASTRO-NUTS" SHOW COME TO LIFE IF IT WAS ABOUT CRAZY ASTRONAUTS. I think Neil Armstrong and Buzz Aldrin need to give this woman a good talking to.

The Writers' Block has an interview with rockstar editor Ellen Datlow. Check it out. And Strange Horizons has a story from the talented Joey Comeau. It's kind of a meditation on the scary power of blood and words. Check that out as well.

I had this whole thought forming about how 24 is a workplace drama and the turnover is making it a less interesting show, but then last night's episode wasn't bad so I kinda lost interest in it. I was going to tie it into Studio 60 and how Sorkin's shows all pretty much reflect a worldview in which everyone loves their jobs and works all the time, which is pretty far from my own experience. The shows sort of work--Sports Night is a fun place to work, and The West Wing is about the most important place in the world you could work, but one of the problems with Studio 60 is that everyone is too caught up in their little dramas all the time, and they won't shut up about them, and pretty soon you just want to go get a nice quiet job as a parking lot attendant.

Prince at the Super Bowl. (Part Two is here.) Man, that makes me feel good.
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Teenage Imposters
Originally uploaded by Snurri.
Was at the Hideout AKA the best bar in the world last night to see my friend Bran's new band, the Teenage Imposters. Bran's been on a quest for the perfect two-minute pop song for about fifteen years. If he finds it, he might stop playing in cool bands; so if you know where it is, hide it!

Also, found out that my story "The Ichthyomancer Writes His Friend with an Account of the Yeti's Birthday Party" (AKA the story with a title so long that I cut-'n-pasted it rather than type it out) is going to be in the rockin' new Best of Lady Churchill's Rosebud Wristlet anthology, along with a bunch of other lightweights like, oh, Karen Joy Fowler, Karen Russell, Jeffrey Ford, James Sallis, and Nalo Hopkinson. (Also Doug Lain and Geoff Godwin, unless I miss my guess.) If stuff like this keeps happening I might have to get me some class.
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Go check out Steph Burgis's story at Strange Horizons, Locked Doors. It's my favorite story of hers that I've read, which is no easy compliment.

Also new, the first installment of Farrago's Wainscot. Let not your distaste for Farrago (I have my own reasons for despising the man, but I've sworn never to tell another living soul of that weekend; suffice it to say that Cthulhu wept) let you overlook the work that he's put together here, from folks like Forrest Aguirre, Jay Lake, Nisi Shawl and Leah Bobet--and that's just the short fiction!

Had a recent run of really enjoyable reading. It began with a re-read of Karen Joy Fowler's The Jane Austen Book Club, which is simply a perfect book; witty and wry and occassionally a tad mean-spirited, but with the best of intentions. After I finished it I cast around for something as good, but nothing I picked up initially was working for me. I wanted something fast and funny and a bit cynical, and I found it in Jonathan Lethem's Motherless Brooklyn, which has been on my shelf for years. It turns out to be my favorite of the Lethem I've read--it shares some elements with Gun, With Occassional Music without the veneer, is more heartfelt than As She Climbed Across the Table and, well, I didn't like Amnesia Moon at all so never mind that. After Motherless Brooklyn I moved on to The Privilege of the Sword, Ellen Kushner's not-sequel to the classic Swordspoint. It's funny; I remember liking Swordspoint but not being blown away, and yet years later that book looms large in my story-mind. (It's to the point where I've described my novel-in-progress as "War and Peace meets Swordspoint.) Privilege is the sort of book that I almost want to hug, though I imagine it would be rather embarrassed if I did. (Also there's the question of how to do so around the sword-belt.) A coming-of-age story, a tale of court intrigue, and a sometimes bitter take on love after happily ever, it's funny and dark and has swordfights--although the remarks draw blood more often than the blades. Finally, I picked up Jeff VanderMeer's Shriek: An Afterword. It's an unexpectedly suspenseful book, as Janice Shriek's memoir of the lives of herself and her brother Duncan quickly takes on a very immediate feel of menace and danger. Janice's digressions, and the after-the-fact manuscript comments of Duncan (whom Janice believes to be dead), create a pattern of approach-and-withdraw with story information that is--rather surprisingly--more rewarding than frustrating. An extremely well-put-together book. Since finishing that one, I've started on Case Histories by Kate Atkinson, which was a fave of the LitBlog Co-Op a couple of years back. I found the beginning rather frustrating, to be honest, but it's beginning to pick up now.

Another book I'm reading is Atlantis: The Antediluvian World, by the impressive-is-not-quite-the-word Ignatius Donnelly. (Someone out there--was it you, Barth? Mentioned Donnelly a while back, and I hadn't heard of him; considering that he was a Minnesotan, I had to check him out.) Many of our modern crackpot theories regarding Atlantis stem from this book. It might not be technically correct to say that Donnelly himself was a crackpot, just a bad scientist; many of his arguments are based on scientific knowledge that was considered reliable in his day, but Donnelly clearly had his theory first (that all human culture stems from Atlantis, which sank in a great volcanic cataclysm back in what we would all call pre-history) and uses the facts to prop it up. Mainly he builds on Plato, but so far he's cast his net pretty wide. Sometimes his arguments are hilarious in and of themselves; clearly, the fact that peoples on both sides of the Atlantic developed painting can only mean that they were linked by a big honkin' island! The editorial comments are, at times, priceless. Donnelly is fond of posing what he must consider to be unanswerable questions, emphasizing the revolutionary character of his theory with italics. "How can we, without Atlantis, explain the presence of the Basques in Europe, who have no lingual affinities with any other race on the continent of Europe, but whose language is similar to the languages of America?" To which one E.F. Beiler calmly appends the note, "Basque and the American Indian languages are not related." (In his introduction Beiler notes that, not content to credit the works of Shakespeare to Francis Bacon, Donnelly attributed the works of Marlowe, Johnson, Cervantes and Bunyan to a single source.) Donnelly attaches a bit too much significance to linguistic coincidence. "Look at it!" he flails. "An 'Atlas' mountain on the shore of Africa; an 'Atlan' town on the shore of America; the 'Atlantes' living along the north and west coast of Africa; an Aztec people from Aztlan, in Central America; an ocean rolling between the two worlds called the 'Atlantic'; a mythological deity called 'Atlas' holding the world on his shoulders; and an immemorial tradition of an island of Atlantis. Can all these things be the result of accident?" Hee! I don't know exactly why I find this book so entertaining, but I think it has to do with the part of me that's less interested in science fiction based on current theory than on old science fiction based on bad conclusions.

Oh, and finally; "Arrested Development" fans, check out what George Michael Bluth has been up to. Hilarious.
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Firstly, it must be noted that Justin Morneau is now the AL MVP. WOO-HOO! In your face, every person at ESPN! There is justice in the world. Sorry, Jeter, maybe next year. OR MAYBE NOT.

Secondly, my long-ish short story "Oma Dortchen and the Pillar of Story," a fairy-tale about ethnographers, swans, ash-lads, trolls, men in top hats, a crone with a leak* and, um, fairy-tales, will be part of the 2007 exhibition over at Farrago's Wainscot. I'm very proud of this story, and I'm glad to see it at a good home; Farrago's has a classy look, and they've got a helluva lineup shaping up over there. So far they've collected pieces from, well, too many people to list. Here's the list. They've also got a livejournal for keeping track of what they're up to. Details as they develop.

*Not like that.
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[livejournal.com profile] mrdankelly is trying to warn you. (!!!!!?!?)

Their funding drive appears to be over, but you can still donate to Strange Horizons. They had a rough time getting donations this time around. Help 'em out, please?

If you're a writer, y'ought to consider sending something to Rabid Transit, the best little chapbook series around. They're open to submissions for the first time (up 'till now they've been invite-only). They want your weird stuff, your unclassifiable, your we-like-this-but-what-the-hell-is-it? stories. Also they are good people and they'll put your stories in front of reviewers. Go for it! I'll put their guidelines behind a cut.

Click here for RT guidelines )

More later, maybe, if I wake up some.
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Things that bug me: people who blow their smoke at me. I love smokers as I love all god's creatures, but WTF? Plus it seems like a lot more people are smoking in the mornings. I like my mornings. I like to go and get tea and breakfast and take the leisurely train ride/walk to work. I don't like standing at an intersection waiting for a Walk light while the guy next to me is exhaling cancer at me. Grumble. I suppose I should be grateful I'm no longer bartending. The worst was when a pack of lawyers--it was always lawyers--would buy up a few of the ratty old cigars we had and light up. Thanks, guys. Why not just SET MY NOSTRIL HAIRS ON FIRE while you're at it.

Things that are good: I watched "The Wizard of Oz" over the weekend, 'cause TBS ran it like eight times. (I also read "The Baum Plan for Financial Independence" last night. Also good.) I only watched it 2 1/2 times. Well, 1 and 2/2. I saw chunks of it, is what I'm saying. I guess it's been a while, because I'd forgotten all about the Professor Marvel bit in the beginning, and the little sketches of the farmhands that foreshadow their turns as the Scarecrow, Tin Man, and Lion. Speaking of, holy crap does Ray Bolger commit to being the Scarecrow. I wonder how many times he hurt himself on set throwing himself around like that. That is awesome. WIZARD OF OZ QUIZ: Which is creepier, the Lullaby League or the Lollipop Guild? When I was little I'd have said Lollipop Guild, because their voices were scary, but now I'm thinking the Lullaby League is just eerie and wrong. My personal fave Munchkin is the dude who pops out of the manhole with the stogie in his mouth when Glinda the Smug Witch tells them all that it's safe because the Wicked Witch with the oddly bending legs is dead. He's all like, "Thank god the fascist dictator is gone so I can smoke out in the open again." (Yes, we have come full circle. I contradict myself. I oughta write a poem.) I'm guessing that he probably crawled back in the manhole when the singing and dancing got all out of hand, though.
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Although I haven't seen an official notice yet, other people have announced it; so I thought I'd let you all know that my story "The Water-Poet and the Four Seasons," which originally appeared at the inestimable Strange Horizons, will be appearing in Prime Books' Fantasy: The Best of the Year, edited by Rich Horton. May I just say WOW. My first reprint! Yay! I can't wait to see the full TOC for this one.

In book news, I just finished Valiant (I know, I know; I'm way behind the curve on this one) and as much as I liked Tithe, Valiant was a step above. Awesome, awesome book. Now I'm reading Hope Was Here. (Yes, I'm still reading Emma, but it's a long book and I need breaks.) I really kind of love Joan Bauer. Her books maybe wrap up a little neatly at times, but her protagonists are so, so wonderful.

It's been awhile since I gave y'all any elephant links of note. This just came out yesterday: elephants know themselves in a mirror. In other words, they are self-aware. I know this is science and all, but I can't help thinking . . . duh? Good to have more evidence, I guess. Also, lots of buzz around this NYT article about rogue elephant behavior, which also points towards elephants as susceptible to trauma, frustration, and despair; not to mention malicious intelligence. Again, not to paint myself as an expert, but this all seems pretty obvious to me based on the reading I've done. F'r instance, they've found that this sort of aggression in young males can be related to the culling or poaching of older bulls in the population; if elder bulls are reintroduced into an area, they act as mentors for the younger ones, teaching them to curb their aggression. But there has been a notable escalation in elephant attacks against humans, as the article notes. Mainly this is true in areas where there's just not enough space for both. Humans think of all land as their own, to cultivate and settle, but there's no universal truth that makes it so.

So . . . is it just me, or does this Borat thing not look in the least funny? I saw him on SNL over the weekend, and on Letterman last night, and at neither point did he make me laugh. (The dude in the background during the SNL open made me laugh at one point, but I'm not sure that counts.) I actually caught a fair amount of Yakov Smirnoff back in the day (I watched a lot of "Night Court"), so maybe it's just that I've seen the material before. So it's conceptual humor, eh? It's not making fun of Kazakhstan, but of the geographically and culturally ignorant Americans who take the act at face value? OK. It seems like a bit of a reach to me, but fine. But while I get the conceptual part, I think they forgot to add in the humor. Peppering one's talk with phrases like "the sexy" and punctuating it with a grinning thumbs-up isn't cutting it for me. I don't know. I'm not really sure why it's rubbing me wrong, but it is.

And finally, I'd like to end on a serious note. Today is Halloween, and you all know what that means. Please, please take all necessary precautions to prevent any undue pain and suffering. I'm speaking, of course, of dogs in costumes. Just don't do it. Pretend your dog is a wolf or some other such beast if you must--imagination is a powerful thing--but do not put him or her in a hat, a wig, or anything with sleeves. Your dog puts up with a collar; asking more is unreasonable and rude. Thank you for your support.
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Mark Twain Fried Chicken
Originally uploaded by Snurri.
Chicago's been kind of a lonely place lately, so I decided to turn 36 in Hannibal, Missouri. I didn't meet any ghosts, but I saw a lot of statues and several young fellows who may or may not aspire to become Huck and/or Tom. (Apparently, there is a tradition in Hannibal where a boy and a girl of the appropriate age are chosen to be Tom Sawyer and Becky Thatcher for the year. Hm.) I did not spend $70 on a set of Tom Sawyer/Huck Finn volumes illustrated by Norman Rockwell. I did go to the Mark Twain cave. I did not ride on a riverboat. I did eat a steak at a restaurant that was once a whorehouse. Also, I did take pictures, so my Flickr account actually has something on it now.

Also, ouch.
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Here's how it works:

1. Leave me a comment saying, "Interview me."

2. I will respond by asking you five questions. I get to pick the questions.

3. You will update your journal with the answers to the questions.

4. You will include this explanation and an offer to interview someone else in the same post.

5. When others comment asking to be interviewed, you will ask them five questions.

I put myself at Greg's mercy, and here's what he asked:

1. Do you ever fear that we're writing fiction mostly for the people who read our blogs and hang out with us at cons?

Some, sure. (They're cool people, though.) With as few short fiction readers as there are in general, and in the genre in particular, it's hard to tell how much attention folks really pay to what we do. Still, I think that the Intranets have been a really good thing for short fiction, 'cause of the accessibility of archives at places like Strange Horizons and the plethora of links pointing folks at good stuff. I hear periodically from readers whom I've never met, and it does seem to be true that for every person who speaks up and says "I liked that," there are ten others paying attention. So I think that the online profile is a huge factor in visibility among people who like the sort of stuff we do.

2. Did you adopt a different persona when you tended bar?

Y'know, I made good money slinging drinks, but I don't think it was because of my personality. I'm bad at being anybody but myself. Which is not to say that myself is not a scintillating fella, but there's a definite art to the schmooze and I never mastered it. It takes an ability to be (or at least fake being) comfortable with just about anyone, and to make them feel comfortable, without actually presuming any real connection. And the truth is that in most situations I'm very shy. I can't be "on" at the drop of a hat. So the folks who sat at a bar hoping to be entertained didn't get what they wanted from me.

That said, when I worked tech support I did adopt another personality in order to relive the soul-crushing boredom. "Cyrus" was much more patient with folks who didn't understand that their computer needed to be turned on in order to connect to the Internet. Sometimes I miss Cyrus.

3. African, Indian, wooly mammoth, columbian mammoth, pygmy . . . Who's your best friend?

I'm partial to African elephants, I have to say, on account of the big ears and the way they fit into their landscape . . . there's something about a family of pachyderms crossing a dry plain, with a cloud of dust kicking up behind them, that is terribly majestic and fragile and wonderful. But don't tell the other elephants, 'cause really I like 'em all.

4. You're dropped in a foreign country, you know nobody, you've lost your wallet, you don't speak the language ... and you're starving. What's the first thing you do?

Man, this is a tough one. I suppose the first thing I'd do is kill one of the local dragons. Not only would this raise my estimation in the eyes of the local inhabitants (except for possibly the dragons), but it'd be something to eat. I'd be sure to take a taste of the dragon's raw blood before cooking up some of his flesh, since everyone knows that dragon's blood gives you the ability to understand bird language. I'd ask the birds where the nearest town was, what their favorite discos were, and who'd pay good money for dragon hide, teeth, bones, etc. Although probably I wouldn't want to sell the entire hide. I'd want to cut out a vest, first, for protection against xenophobic locals. Maybe some pants, too. Although leather pants really tend to cut off my circulation . . . chaps, then. Maybe gloves and a cap, too, if I was cold. Then I'd offer one of the birds a payment of dragon giblets to be my translator. Her name would probably be "Beetle-Chaser" or something like that. We'd head into town, and I'm sure there'd be some sort of difficulty to overcome there. There'd probably be a local sheriff or disco owner or some sort who resented my presence, and a young woman, small child, or fashion designer who needed my aid, so I'd have to spend some time sorting all that out. I consider myself a pacifist, so I'd prefer to talk things out, but for a lot of folks the fighting is sort of ritual. So there'd probably be some kind of battle royale, and things would look bad for me, and then suddenly there'd be an unexpected ally, or perhaps the dragon chaps would come into play in an unexpected way, or maybe Beetle-Chaser would turn the tide in a humorously unintended way. Perhaps there'd be a beetle on the dance floor during the disco contest or something, and in her dogged pursuit of it she would manage to trip up my antagonist's henchmen, thereby evening the fight. (Or dance-off.) Then the fashion designer or young woman or small child would give me some token of their affection--maybe a snazzy pair of boots, or a peck on the cheek, or maybe some mysterious object which is inextricably linked to my destiny--and I would be on my way out of town with my bird friend, my chaps gleaming in the sun, still trying to find my way home.

5. Will there be libraries in 50 years? What will they look like?

We talked about this a lot in my Master's program; at least, we talked about the fact that libraries are in the midst of a huge shift in focus. There are far too many books being published today for any library to collect them all, and some people are operating under the belief that all the information anyone could need is on the Internet. There are three problems with that last assumption. 1) There's plenty of information that isn't on the Internet, and even with things like Google's digital library initiative, it would take decades of concentrated effort to put "everything" at your fingertips. 2) Plenty of what is on the Internet isn't free, and the cost of subscribing to many databases is prohibitive for individuals. 3) There's a lot of BAD information on the Internet, and not all users (particularly young users) are cognizant enough of this to consider the authority of their sources.

For those reasons, and plenty of others--a need for community space being one of the most important--we'll still need libraries in fifty years. Whether we'll still have them will depend on a lot of things; the willingness of the government and the public to fund them, whether current copyright trends continue (extension, consolidation, etc.), and whether, on the other side, libraries can continue to serve as helpful gatekeepers to information on the printed page as well as to the exponentially increasing number of pages on the 'net.

Finally, in the future, libraries will look like a series of tubes.
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Today is our official Internet launch party for Twenty Epics! In celebration of this beautiful book, with all the kick-ass epic tales (in 10,000 words or less) by lovely and talented writers, we're tossing links around like shuriken and telling the stories of our stories. This is my first piece of fiction writing to show up in an actual bound book, and as you may be able to tell I'm pretty damned excited.

The story behind my contribution, "Five Hundred and Forty Doors," is this:

My mom was born in Evansville, Minnesota, a small town just north of Alexandria. Be warned, if you have any plans to visit the area, that it is overrun with Scandinavians. Evansville was a Norwegian enclave, and the Burros clan, at least down to my mom's generation, are full-blooded Norwegians. (The Swedes lived in the next town over, in Brandon. If you get my mom talking she'll tell you how "those Swedes burned down our church." Long story.) What do you get when you get a lot of Norwegian farming families? You get a lot of Norwegian bachelors. Not, in this case, bachelor farmers--I'm not necessarily clear on what most of my great uncles did for a living. A fair amount of their time seems to have been spent chasing each other around with shotguns. (I exaggerate. Some.) Do you remember Fargo? Some people (not Minnesotans) tried to tell me that the dialect in that movie was exaggerated. Ha. Come and meet the Burroses that still live up in Evansville, and you'll see. Hell, after an hour with them I'll be talking like Jerry Lundegaard.

My great uncles on the Burros side included Uncle George, Uncle Martin, Uncle Sidney, and Uncle Burt. After Grandpa died and Grandma moved into town, she lived up the street from Uncle Burt. He lived in a tiny house that had an old man smell, but we always walked over to visit him when we were in town, because our parents made us and because he was nice and because he always served us blueberries with cream and sugar. Good stuff. Try it sometime.

What does all of this have to do with my story? Well, after many visits and many bowls of blueberries, Uncle Burt died and I grew up. I went to college and majored, eventually, in Scandinavian Studies. I read sagas full of laconic warriors and old, head-trippy poems about the end of the world. I learned that Uncle Burt had been in World War II. And by the time I read that David Moles and Susan Marie Groppi were putting together an oxymoronic anthology of short epics, I was ready to write a story about the Battle of the Bulge, Ragnarok, and brothers with guns, all in a thick Minnesota dialect. I don't know that Burt or his brothers would approve--in my experience the Norwegian Lutheran sensibility sees fantasy as anathema--but I wrote it for them, nonetheless.

To buy Twenty Epics, visit either Amazon or Lulu. If you've already read it, post a rave review! To read more Author's Notes, visit Mr. Moles; he's collecting all the links.
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Back from the north country. It was a tough weekend, but more on that later. But I have good news to report. Firstly, it appears that "The Water Poet and the Four Seasons" has made Rich Horton's list of recommended fiction in the latest Locus! This is a first for me. I haven't seen the issue yet, but Celia gave me the heads-up. Yay!

Secondly, Mr. Tim Pratt tells me that he's taking my story "Grandma Charlie and the Wolves" for the next issue (#6) of Flytrap, the 'zine which he and Heather Shaw co-/tag-team edit. It should be mentioned that the current issue (#5) contains stories by my homies Haddayr, Meghan, Barth, Chris. Yay!

Incidentally, Heather Shaw has a lovely story called "Mountain, Man" in the new Rabid Transit volume, Long Voyages, Great Lies, in which my story "Shackles" also appears; the issue debuted at WisCon. There are great (seriously, I read them all and they're great) stories by the Ignitrix herself, destruction-hungry Alice Kim, genteel F. Brett Cox and batmaster Geoffrey Goodwin. Watch these spaces for ordering information. Yay!

Another publication that appeared at WisCon is Lady Churchill's Rosebud Wristlet #18, which contains my story "Play" as well as many other fine fictions, poemtions, and reviewtions, as well as a handy mileage guide. I haven't read the entire issue yet, but so far I'm very much enjoying it, especially the piece by Stephanie Parent. LCRW is 18! Yay!

Last but not least, the gorgeous anthology Twenty Epics is eager to spring into your appreciative hands; an advance copy accompanied me around the convention over Memorial Day. I managed to plow through several of the stories before I had to give it back, and I have to tell you that none of them were good. They were all fantastic. I'm so very happy to be in this anthology, and mad props to Mr. Moles and Ms. Groppi for pulling it all together. Yay!

More later, on the roller-coaster that has been the past two weeks . . .

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