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Books 1-10.
Books 11-20.
Books 21-30.
Books 31-40.
Books 41-50.
Books 51-60.
Books 61-70.
Books 71-80.
Books 81-90.
Books 91-100.
101. The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures by Anne Fadiman.
102. Brown Harvest by Jay Russell.
103. Dab Neeg Hmoob: Myths, Legends and Folk Tales from the Hmong of Laos, Charles Johnson, editor and Se Yang, associate editor.
104. Summer of '49 by David Halberstam.

105. The Magic Toyshop by Angela Carter. I have come somewhat late to Carter; up to this point I have only read a bit of her short fiction. Her writing scares me in a way similar to the way Samuel R. Delany's does--her control of her imagery and the precision of her language speak of a frightening intelligence behind it all. Somewhere along the way someone told me that Carter's novels were not as good as her short stories, but they were wrong. This is a deliriously good book, gorgeous and horrifying and mythic and firmly grounded in the real, a coming of age story with a fairy tale wound uncomfortably tight around it. If anything outside of Latin America deserves to be called Magical Realism, this would be it. Highest recommendation; those last five pages will stay with for a long time.

(no subject)

Date: 2009-11-18 04:54 am (UTC)
From: [identity profile] hecubot.livejournal.com
No fucking way! Guess what I am reading right now at this very instant? Yes, The Magic Toyshop. (Good guess.)

I'm a long time fan of Carter, both her fiction and non-fiction.

Did you know The Magic Toyshop was made into a movie? I barely remember it. It was very lo-fi indie or possibly British TV production that's hard to see.

I have a slight preference for her early seventies work which was a bit more radical and surreal, than her later novels (which are admittedly excellent). I'm kind of an outlier in really loving The Passion of New Eve which is a very transgressive, transgender-y novel. Vaguely reminiscent of J.G. Ballard's Vermillion Sands stories. But her short story collections, Fireworks and The Bloody Chamber, are essential.

(no subject)

Date: 2009-11-18 05:01 am (UTC)
From: [identity profile] snurri.livejournal.com
I saw mention of the film, yeah; I think it was an Aussie production. Netflix doesn't have it, dammit.

(no subject)

Date: 2009-11-18 05:08 am (UTC)
From: [identity profile] hecubot.livejournal.com
I saw it in a rep house years ago. It gets the plot points and the sexual tension and the creepy puppets but it can't really replicate her prose.

The Company of Wolves is a better adaptation of her work, and covers similar territory.

You should read her criticism too. She reviewed Love and Rockets! (the comic)

(no subject)

Date: 2009-11-18 05:11 am (UTC)
From: [identity profile] snurri.livejournal.com
Yeah, I've seen "The Company of Wolves" a couple of times; good stuff. I thought of it while reading this one, because the imagery is so primal and weird.

Yes on the prose. The first chapter of this one is just astonishing, and could never really translate onto the screen, I don't think.

(no subject)

Date: 2009-11-18 05:14 am (UTC)
From: [identity profile] hecubot.livejournal.com
I really think this is the book where she pulled it together as a writer. The quality of her prose takes a great leap forward. She had such a clear vision of this story and evokes it with exquisite, often grimy, detail. You can tell she was just in the grip of this one.

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